Throughout my time with the Open College of Arts, I published blogs and developments online. As the course was conducted entirely over the internet, this made sense and allowed students to connect. When I began my MA in 2021, I was not required to do this (I believe this has since changed). I think it would be useful to fill in a bit of this gap. I am therefore publishing an MA essay (2022) here retrospectively, even though I would certainly approach this topic differently if I were to write it today. Additionally, I am increasingly sceptical of the term ‘pre-linguistic’, and would need to address that within the piece or avoid using the term altogether (which poses quite a problem… but that’s for another time).
I have also given the piece a slightly less pedestrian title than its original: How does your practice relate to the seminar topics?
Fascinate comes from the Latin word for “evil spell,” and originally meant “bewitched” or “spellbound” in the literal, more sinister sense. The word eventually took on the less evil, more metaphorical meanings “to command the attention of” or “to captivate”.
Merriam-Webster Dictionary
ANITA ANAND: I wonder whether you’d go as far as to say that there needs to be a Chernobyl-type event in Al before everyone listens to you?
STUART RUSSELL: Well, I think what’s happening in social media is already worse than Chernobyl.
It has caused a huge amount of dislocation.
Stuart Russell, Reith Lectures, 2021
Across social media, the amusing memes, the dubious advice, the violent debate and raging slurs, which most of us are familiar with, can be thought of as a captivation or enchantment, beneath which there are more nebulous machinations taking place. I suggest it is those machinations rather than, or perhaps in tandem with, the distracting bewitchment on the surface that needs careful inquiry. Although I focus on social media, the patterns we internalise while interacting online ripple through existence. And the digital sphere is merely the most contemporary recording surface, as described by Deleuze & Guattari (1985), a space where we continuously come into delirium-shaped being (Ibid). Like all media, it is an emergent extension we produce which both exemplifies and produces us in return (McLuhan, 2010). But the algorithms that make the digital sphere tick allow it to transgress boundaries more speedily and in ways that are entirely new. I am interested in our enmeshment with the recording surface[1] and pre-language[2] – both ours and the cybernetic form – from where the bewitching surface-spectacle, along with other phenomena, emerges.
Exploring signals
Over several decades, we, together with our computers, have conjured an unprecedented form of communication. Cybernetic signalling is an attempt to emulate biological processes which are relatively and conversely primitive. That seemingly makes them easy for us to dismiss, ignore, or fail to recognise. Algorithms communicate via a cybernetic, ersatz “semiosis without mind”, a phrase employed by biosemioticians to describe the way bacteria and fungi exchange messages (Tonnessen et al. 2018: 4 citing Sharov and Vehkavaara 2015). As far as humans are concerned, proto-semiosis in bacteria is pre-linguistic, pre-literate, pre-image. Despite being in the business of generating images, an algorithm, which has no eyes, no ears, no mouth, no consciousness – for the moment – based on quasi-signs.
Much has been made about the fact that algorithmic signals contain and reinforce systemic violence, already so deeply ingrained, that they are not even recognised as real by many. We should also consider how these signals have the power to simultaneously undermine long-held habits too (Hayles, 1999) – denying fixed objecthood, sovereign isolation, acute individualism: reconfiguring boundaries. And how, when we use our devices, we internalise the speed and pattern of cyber-movement (Ibid: 26). We instantiate cybernetic signalling. And our expectations evolve. The challenge to, and erosion of, habitual Cartesian doubt could be posited as cyberreality’s most promising outcome, as well as being the source of social catastrophe. Either way, we are undoubtedly seduced by the flickering signifiers (Ibid: 25-49) that briefly appear on our screens. And it is far too easy to digest those glimmering surface messages without considering how they come about or influence our thoughts and actions.
Of course, we are not entirely oblivious to the energetic movements beneath the recording surface. But sensing that we are being surreptitiously nudged, and not really knowing how or by whom, can be anxiety-inducing, especially when told we are imagining it all. Could part of the instability and uncertainty we live with today be down to the fact that the spectacle on the surface has limited intrinsic meaning, especially when not considered along with the signals and cybernetic semiosis-without-mind, which we do not recognise, never mind analyse, below? Perhaps this lack of alignment between outer content and inner intention is, in part, fuelling today’s general sense of meaninglessness: joked about in nihilistic, post-ironic humour, evident in cultural rage and sensitivity, and especially prevalent in political and commercial slogans? Does this meaning[lessness] manifest most notably in the exponential proliferation of paranoic conspiracy theory, which reveal, albeit mythically and fantastically, genuine confusion and concerns about life today[3].
[Negation of] Difference between us and the computers
Humans are thought to have advanced beyond proto-signalling, a view even evident within some biosemiotic literature, which is otherwise focused on decentralising humans and seeks to overcome ontological splits (an indication of just how big a challenge undoing centuries of categorisation and triangular-hierarchy continues to be). Nowadays, we can be persuaded that we are not the discrete objects we imagined; our intra-existence with technology fundamentally denies it too. The image of Deleuze and Guattari’s steampunk segmentarity suggested it was helpful to view biological machines as irrevocably connected to human-made machines – both of which can be broken down into constituent parts – challenging habitual hierarchy and [in]difference. As our technologies now emulate nervous systems and even consciousness, however, rather than being merely connected to non-biological machines, (computers obviously, but also texts, institutions, even spoken language), as well as non-human organisms, today we are irrevocably enmeshed (See Data Selves, Lupton 2020). That enmeshment suggests Deleuze and Guattari’s body without organs can no longer resist algorithmic penetration.
When we attach to our phones, or to any networked or even seemingly discrete commodity, for Deleuze and Guattari, there is little difference between that and the baby’s mouth attaching to the breast. Consumption in the former, however, is not about our survival, even though it may be about our desire. In the contemporary world, there is a total inversion. The mother-machine-breast wants and needs us to remain continuously enmeshed. It does not tolerate separation, nor individuation. It feeds on our atomised, liquidised selves[4]. And while in that state, on the recording surface, we tend to pool, coagulate, weep. The apparatus achieves this enmeshment via an assemblage of signifiers, signals and proto-semiosis that allows it to entrain itself onto and into us. We are intravenously spellbound.
Practice
The language of algorithms, cyber proto-semiosis and signals transgress boundaries, in keeping with an increasingly morphological universe, in onto-epistemological terms. This may be unavoidable for necessary evolution to take place. But in the process, our individual selves are liquidised. We are now continuously tracked and analysed, and our behaviour transformed into signal, feed for the apparatus. We are part of a feedback loop which makes it extremely difficult to interrupt. And those signals which we help to make, seem to be urging and nudging us into evermore destructive behaviours and habits. That being so, examining and dismantling the value-system which has emerged and emerges still, via evolutionary and invented communication systems seems crucial. Because that system appears to have brought us to the brink of ecological collapse with nuclear war lurking beside.
My practice has been focused on “investigate[ing] lines that demarcate bodies, worlds, disciplines, and time” (Field et al, 2021) in relation to the systemic reconfiguration we are living through today. Exploring our bewitched state along with the prelinguistic, pre-image processes that helps to entrap/enchant us may be my next step. I have been thinking about misinformation, conspiracy theory, the objects or materials (specifically tinfoil and books)[5] that get co-opted into them, and the mythical, yet dangerous nature of those narratives. However, I have hesitated about going down this route, as anyone doing so needs to be careful to avoid sanctimony or laughing at people’s terror. Whatever we think about the way people respond to the seismic shifts taking place today, it behoves us to maintain an inkling of understanding. It may be the only way to interrupt the algorithms’ influence.





Bibliography
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[1] See Appendix 1 Examples of own work A
[2] See Appendix 1 Examples of own work B
[3] See Appendix 2 JrEg
[4] See Appendix 3 Les Manovich comments on Analytic Culture (2018)
[5] Appendix 2: Examples of my own work C
Addendum 28/08/25:


Work inspired by the above passage https://www.sarahjanefield.com/ingested
PDF with Appendix